doctoral candidate in rhetoric and scientific and technical communication
poetry
louisiana line
04 years ago
american life in poetry: column 129
by ted kooser, u.s. poet laureate, 2004-2006
North Carolina poet, Betty Adcock, has written scores of beautiful poems, almost all of them too long for this space. Here is an example of her shorter work, the telling description of a run-down border town.
Louisiana Line
The wooden scent of wagons,
the sweat of animals–these places
keep everything–breath of the cotton gin,
black damp floors of the icehouse.Shadows the color of a mirror’s back
break across faces. The luck
is always bad. This light is brittle,
old pale hair kept in a letter.
The wheeze of porch swings and lopped gates
seeps from new mortar.Wind from an axe that struck wood
a hundred years ago
lifts the thin flags of the town.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 1975 by Betty Adcock. Reprinted from “Walking Out,” Louisiana State University Press, 1975, with permission of Betty Adcock, whose most recent book is “Intervale: New and Selected Poems,” Louisiana State University Press, 2001. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
snip your hair
04 years ago
american life in poetry: column 128
by ted kooser, u.s. poet laureate, 2004-2006
Our poet this week is 16-year-old Devon Regina DeSalva of Los Angeles, California, who says she wrote this poem to get back at her mother, only to find that her mother loved the poem.
Snip Your Hair
I’ll snip your hair
Cut it all off until you look like a man
I will replace your weight loss bars with bars to make you gain
I will cut your credit cards in half
I will shrink all your clothes
Every trick in the book I will try
I will give all your shoes to the dog
I will do it all
Crazy is where you will be driven
Off a cliff you will want to jump
Then when I am all done
I will look at you with big doughy eyes
And I will say I am sorry
But I have my fingers crossed
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Reprinted from “Untangled: Stories & Poems from the Women & Girls of WriteGirl,” WriteGirl Publishers, 2006. Poem copyright (c) 2006 by WriteGirl Publishers and used by permission. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
nest
04 years ago
american life in poetry: column 127
by ted kooser, u.s. poet laureate, 2004-2006
Poet Marianne Boruch of Indiana finds a bird’s nest near her door. It is the simplest of discoveries, yet she uses it to remind us that what at first seems ordinary, even “made a mess of,” can be miraculously transformed upon careful reflection.
Nest
I walked out, and the nest
was already there by the step. Woven basket
of a saint
sent back to life as a bird
who proceeded to make
a mess of things. Wind
right through it, and any eggs
long vanished. But in my hand it was
intricate pleasure, even the thorny reeds
softened in the weave. And the fading
leaf mold, hardly
itself anymore, merely a trick
of light, if light
can be tricked. Deep in a life
is another life. I walked out, the nest
already by the step.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 1996 by Marianne Boruch, whose most recent book of poetry is “Poems: New and Selected,” Oberlin College Press, 2004. Reprinted from “A Stick That Breaks And Breaks,” Oberlin College Press, 1997, with permission of the author. First published in the journal “Field.” Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
the raspberry room
04 years ago
american life in poetry: column 126
by ted kooser, u.s. poet laureate, 2004-2006
The British writer Virginia Woolf wrote about the pleasures of having a room of one’s own. Here the Vermont poet Karin Gottshall shows us her own sort of private place.
The Raspberry Room
It was solid hedge, loops of bramble and thorny
as it had to be with its berries thick as bumblebees.
It drew blood just to get there, but I was queen
of that place, at ten, though the berries shook like fists
in the wind, daring anyone to come in. I was trying
so hard to love this world–real rooms too big and full
of worry to comfortably inhabit–but believing I was born
to live in that cloistered green bower: the raspberry patch
in the back acre of my grandparents’ orchard. I was cross-
stitched and beaded by its fat, dollmaker’s needles. The effort
of sliding under the heavy, spiked tangles that tore
my clothes and smeared me with juice was rewarded
with space, wholly mine, a kind of room out of
the crush of the bushes with a canopy of raspberry
dagger-leaves and a syrup of sun and birdsong.
Hours would pass in the loud buzz of it, blood
made it mine–the adventure of that red sting singing
down my calves, the place the scratches brought me to:
just space enough for a girl to lie down.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2007 by Karin Gottshall. Reprinted from “Crocus,” by Karin Gottshall, published by Fordham University Press, 2007, with permission of the author and publisher. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
subway
04 years ago
american life in poetry: column 125
by ted kooser, u.s. poet laureate, 2004-2006
The American poet, Ezra Pound, once described the faces of people in a rail station as petals on a wet black bough. That was roughly seventy-five years ago. Here Barry Goldensohn of New York offers a look at a contemporary subway station. Not petals, but people all the same.
Subway
The station platform, clean and broad, his stage
for push-ups, sit-ups, hamstring stretch,
as he laid aside his back pack, from which
his necessaries bulged, as he bulged
through jeans torn at butt, knee and thigh,
in deep palaver with himself–sigh,
chatter, groan. Deranged but common.
We sat at a careful distance to spy
on his performance, beside a woman
in her thirties, dressed as in her teens–
this is L.A.–singing to herself.
How composed, complete and sane
she seemed. A book by the Dalai Lama
in her hands, her face where pain and wrong
were etched, here becalmed, with faint chirps
leaking from the headphones of her walkman.
Not talking. Singing, lost in song.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Barry Goldensohn, whose most recent book of poetry is “East Long Pond” (with Lorrie Goldensohn), Cummington Press, 1998. Reprinted from “Salmagundi,” Fall, 2006, No. 152, with permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
matinee
04 years ago
american life in poetry: column 124
by ted kooser, u.s. poet laureate, 2004-2006
Here is a lovely poem about survival by Patrick Phillips of New York. People sometimes ask me “What are poems for?” and “Matinee” is an example of the kind of writing that serves its readers, that shows us a way of carrying on.
Matinee
After the biopsy,
after the bone scan,
after the consult and the crying,for a few hours no one could find them,
not even my sister,
because it turns outthey’d gone to the movies.
Something tragic was playing,
something epic,and so they went to the comedy
with their popcorn
and their cokes,the old wife whispering everything twice,
the old husband
cupping a palm to his ear,as the late sun lit up an orchard
behind the strip mall,
and they sat in the dark holding hands.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Patrick Phillips, whose latest book is “Chattahoochee,” University of Arkansas Press, 2004. Reprinted from the “Greensboro Review,” Fall 2006, No. 80, with permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
found letter
0 
american life in poetry: column 123
by ted kooser, u.s. poet laureate, 2004-2006
There is a type of poem, the Found Poem, that records an author’s discovery of the beauty that occasionally occurs in the everyday discourse of others. Such a poem might be words scrawled on a wadded scrap of paper, or buried in the classified ads, or on a billboard by the road. The poet makes it his or her poem by holding it up for us to look at. Here the Washington, D.C., poet Joshua Weiner directs us to the poetry in a letter written not by him but to him.
Found Letter
What makes for a happier life, Josh, comes to this:
Gifts freely given, that you never earned;
Open affection with your wife and kids;
Clear pipes in winter, in summer screens that fit;
Few days in court, with little consequence;
A quiet mind, a strong body, short hours
In the office; close friends who speak the truth;
Good food, cooked simply; a memory that’s rich
Enough to build the future with; a bed
In which to love, read, dream, and re-imagine love;
A warm, dry field for laying down in sleep,
And sleep to trim the long night coming;
Knowledge of who you are, the wish to be
None other; freedom to forget the time;
To know the soul exceeds where it’s confined
Yet does not seek the terms of its release,
Like a child’s kite catching at the wind
That flies because the hand holds tight the line.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Joshua Weiner. Reprinted from “From the Book of Giants,” University of Chicago Press, 2006, by permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
hymn to the comb-over
04 years ago
american life in poetry: column 122
by ted kooser, u.s. poet laureate, 2004-2006
The chances are very good that you are within a thousand yards of a man with a comb-over, and he may even be somewhere in your house. Here’s Maine poet, Wesley McNair, with his commentary on these valorous attempts to disguise hair loss.
Hymn to the Comb-Over
How the thickest of them erupt just
above the ear, cresting in waves so stiff
no wind can move them. Let us praise them
in all of their varieties, some skinny
as the bands of headphones, some rising
from a part that extends halfway around
the head, others four or five strings
stretched so taut the scalp resembles
a musical instrument. Let us praise the sprays
that hold them, and the combs that coax
such abundance to the front of the head
in the mirror, the combers entirely forget
the back. And let us celebrate the combers,
who address the old sorrow of time’s passing
day after day, bringing out of the barrenness
of mid-life this ridiculous and wonderful
harvest, no wishful flag of hope, but, thick,
or thin, the flag itself, unfurled for us all
in subways, offices, and malls across America.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Wesley McNair. Reprinted from “The Ghosts of You and Me,” published by David R. Godine, 2006, by permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
heaven, 1963
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american life in poetry: Column 120
by ted kooser, u.s. poet laureate, 2004-2006
The loss of youth and innocence is one of the great themes of literature. Here the California poet Kim Noriega looks deeply into a photograph from forty years ago.
Heaven, 1963
It’s my favorite photo–
captioned, “Daddy and His Sweetheart.”
It’s in black and white,
it’s before Pabst Blue Ribbon,
before his tongue became a knife
that made my mother bleed,
and before he blackened my eye
the time he thought I meant to end my life.He’s standing in our yard on Porter Road
beneath the old chestnut tree.
He’s wearing sunglasses,
a light cotton shirt,
and a dreamy expression.He’s twenty-seven.
I’m two.
My hair, still baby curls,
is being tossed by a gentle breeze.
I’m fast asleep in his arms.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. From “Blue Arc West: An Anthology of California Poets” (Huntington Beach, CA, Tebot Bach, 2006), 117. Copyright (c) 2006 by Kim Noriega. Reprinted with permission of the author and Tebot Bach. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
banana trees
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american life in poetry: column 119
by ted kooser, u.s. poet laureate, 2004-2006
I’m especially attracted to poems that describe places I might not otherwise visit, in the manner of good travel writing. I’m a dedicated stay-at-home and much prefer to read something fascinating about a place than visit it myself. Here the Hawaii poet, Joseph Stanton, describes a tree that few of us have seen but all of us have eaten from.
Banana Trees
They are tall herbs, really, not trees,
though they can shoot up thirty feet
if all goes well for them. Cut in crosssection they look like gigantic onions,
multi-layered mysteries with ghostly hearts.
Their leaves are made to be broken by the wind,if wind there be, but the crosswise tears
they are built to expect do them no harm.
Around the steady staff of the leafstalkthe broken fronds flap in the breeze
like brief forgotten flags, but these
tattered, green, photosynthetic machinesknow how to grasp with their broken fingers
the gold coins of light that give open air
its shine. In hot, dry weather the fingersfold down to touch on each side–
a kind of prayer to clasp what damp they can
against the too much light.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Joseph Stanton. Reprinted from “A Field Guide to the Wildlife of Suburban O’ahu,” Time Being Books, 2006, with permission of the publisher. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.