sunday songs

american life in poetry: column 117

by ted kooser, u.s. poet laureate, 2004-2006

The subdivision; it’s all around us. Here Nancy Botkin of Indiana presents a telling picture of life in such a neighborhood, the parents downstairs in their stultifying dailiness, the children enjoying their youth under the eaves before the passing years force them to join the adults.

Geometry

All the roofs sloped at the same angle.
The distance between the houses was the same.
There were so many feet from each front door
to the curb. My father mowed the lawn
straight up and down and then diagonally.
And then he lined up beer bottles on the kitchen table.

We knew them only in summer when the air
passed through the screens. The neighbor girls
talked to us across the great divide: attic window
to attic window. We started with our names.
Our whispers wobbled along a tightrope,
and below was the rest of our lives.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Nancy Botkin. Reprinted from “Poetry East,” Spring, 2006, by permission of the author, whose full-length book of poems, “Parts That Were Once Whole,” is available from Mayapple Press, 2007. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

american life in poetry: column 115

by ted kooser, u.s. poet laureate, 2004-2006

Each of the senses has a way of evoking time and place. In this bittersweet poem by Jeffrey Harrison of Massachusetts, birdsong offers reassurance as the speaker copes with loss.

Visitation

Walking past the open window, she is surprised
by the song of the white-throated sparrow
and stops to listen. She has been thinking of
the dead ones she loves–her father who lived
over a century, and her oldest son, suddenly gone
at forty-seven–and she can’t help thinking
she has called them back, that they are calling her
in the voices of these birds passing through Ohio
on their spring migration. . . because, after years
of summers in upstate New York, the white-throat
has become something like the family bird.
Her father used to stop whatever he was doing
and point out its clear, whistling song. She hears it
again: “Poor Sam Peabody Peabody Peabody.”
She tries not to think, “Poor Andy,” but she
has already thought it, and now she is weeping.
But then she hears another, so clear, it’s as if
the bird were in the room with her, or in her head,
telling her that everything will be all right.
She cannot see them from her second-story window–
they are hidden in the new leaves of the old maple,
or behind the white blossoms of the dogwood–
but she stands and listens, knowing they will stay
for only a few days before moving on.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Jeffrey Harrison. Reprinted from “Incomplete Knowledge”, Four Way Books, 2006, with permission of the publisher. All rights reserved. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

american life in poetry: column 113

by ted kooser, u.s. poet laureate, 2004-2006

Though the dog chose domestication, cheerfully enjoying human food and protection, most of the world’s species look upon us with justifiable wariness, for we’re among the most dangerous critters on the planet. Here Minnesota poet Freya Manfred, while out for a leisurely swim, comes face to face with a species that will not be trained to sit or roll over.

Swimming With A Hundred Year Old Snapping Turtle

I spy his head above the waves,
big as a man’s fist, black eyes peering at me,
until he dives into darker, deeper water.
Yesterday I saw him a foot from my outstretched hand,
already tilting his great domed shell away.
Ribbons of green moss rippled behind him,
growing along the ridge of his back
and down his long reptilian tail.
He swims in everything he knows,
and what he knows is never forgotten.
Wisely, he fears me as if I were the Plague,
which I am, sick unto death, swimming
to heal myself in his primeval sea.

Reprinted by permission of Freya Manfred, whose most recent book is “My Only Home,” 2003, from Red Dragonfly Press. Poem copyright (c) 2006 by Freya Manfred. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska, Lincoln. This column does not accept unsolicited poetry.

american life in poetry: column 110

by ted kooser, u.s. poet laureate, 2004-2006

I’ve talked a lot in this column about poetry as celebration, about the way in which a poem can make an ordinary experience seem quite special. Here’s the celebration of a moment on a campus somewhere, anywhere. The poet is Juliana Gray, who lives in New York. I especially like the little comic surprise with which it closes.

Summer Downpour on Campus

When clouds turn heavy, rich
and mottled as an oyster bed,

when the temperature drops so fast
that fog conjures itself inside the cars,
as if the parking lots were filled
with row upon row of lovers,

when my umbrella veils my face
and threatens to reverse itself
at every gust of wind, and rain
lashes my legs and the hem of my skirt,

but I am walking to meet a man
who’ll buy me coffee and kiss my fingers–

what can be more beautiful, then,
than these boys sprinting through the storm,
laughing, shouldering the rain aside,
running to their dorms, perhaps to class,
carrying, like torches, their useless shoes?

Reprinted from “The Louisville Review,” (No. 59, Spring 2006) by permission of the author. Copyright (c) 2006 by Juliana Gray, whose most recent book of poetry is “The Man Under My Skin,” River City Publishing, 2005. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska, Lincoln. This column does not accept unsolicited poetry.