subway

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american life in poetry: column 125

by ted kooser, u.s. poet laureate, 2004-2006

The American poet, Ezra Pound, once described the faces of people in a rail station as petals on a wet black bough. That was roughly seventy-five years ago. Here Barry Goldensohn of New York offers a look at a contemporary subway station. Not petals, but people all the same.

Subway

The station platform, clean and broad, his stage
for push-ups, sit-ups, hamstring stretch,
as he laid aside his back pack, from which
his necessaries bulged, as he bulged
through jeans torn at butt, knee and thigh,
in deep palaver with himself–sigh,
chatter, groan. Deranged but common.
We sat at a careful distance to spy
on his performance, beside a woman
in her thirties, dressed as in her teens–
this is L.A.–singing to herself.
How composed, complete and sane
she seemed. A book by the Dalai Lama
in her hands, her face where pain and wrong
were etched, here becalmed, with faint chirps
leaking from the headphones of her walkman.
Not talking. Singing, lost in song.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c) 2006 by Barry Goldensohn, whose most recent book of poetry is “East Long Pond” (with Lorrie Goldensohn), Cummington Press, 1998. Reprinted from “Salmagundi,” Fall, 2006, No. 152, with permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

tweet tweet for 2007-11-10

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  • just returned from a nice hike with a friend and our dogs. it’s lovely out this evening #
  • @textbench ooohhh…I’m jealous. Hiro’s? #
  • @textbench yum. makes my mouth water just to think of it #
  • @DaveWares have a fun trip! #
  • @textbench yep…and it’s a long weekend, too. Going shooting at homolovi tomorrow w/ my niece and relaxing the rest of the weekend #
  • @textbench I haven’t been there (always pass by) but we have been wanting to go for a while. #

longevity of language

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I’m too tired to post much tonight. I think life is finally catching up with me.

That being said I wanted to share a little “colloquial shakespeare” quiz that I found via Mental Floss. It made me chuckle. Granted, they only use four plays but it’s still a bit of fun.

tweet tweet for 2007-11-09

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  • really wish snitter and pownce would open links in my current window with a new tab instead of a whole new window. I hate that. #
  • maybe it’s an AIR thing since they both run on that…hmmm… #
  • [daily photo] timely inn http://tinyurl.com/2226nm #
  • @injenuity great blog resource. Can’t wait to see how it works for your school #
  • upped my audible account…figured the 24 credits will get me through the next year (I hope) #
  • tomorrow: going to homolovi state park with my niece to take photos. Any locals interested in going, let me know. #
  • booking a trip to loveland, colorado to visit my grandfather who has cancer of the stomach and grandmother who is going blind. :-( #

composition revised

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I was reading Michael’s blog where he links out to Liz Kleinfeld, who writes about using “This I Believe” types of audio recordings for composition.  She discusses the changes that had to occur once a student with hearing disabilities entered her class.  She is having that student create a visual contribution to the assignment.

In my class, we do digital storytelling. This exercise allows students to include visual, audio, or both in a project that describes them.  They can use still images (photographs, drawings, paintings, etc.) or video to tell their story (which is usually a reflective piece about themselves or an issue that they want to share more about).  They can include music, narrative, and other sounds to enhance the work.  We talk about attribution, creative commons, copyright, TEACH, and Fair Use. We talk about the elements of good narrative, good photography/videography.  We discuss the use of technology (we use MovieMaker and iMovie in our labs).

Many of these are poignant, incredible pieces of work.  We really get to know one another even better through the use of this exercise (I also do the assignment alongside the students).

The magic in this, though, is that students who have trouble writing share in a way that is more conducive to their skills.  And it’s fun.

In another composition area, Google for Educators just came out with a lesson on “Teach Collaborative Revision with Google Docs.”  I think it’s worth a look and it could be easily revised for university instruction.

tweet tweet for 2007-11-08

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  • studying for the GRE, which I’m taking at 8am tomorrow morning #
  • Thanks, Alan. :-) #
  • @textbench I just refinanced and I wish I could have waited (but couldn’t). Weird times for this kind of stuff. #
  • @textbench yep, very stressful (and why did I do that at the same time as a thesis and gre? stupid, stupid, stupid) #
  • @textbench yup… #
  • @textbench btw, I hope that all of this works out in your favor. :-) #
  • @textbench oooh! that sounds fun! I won’t be leaving until next summer (if I get in somewhere) so there’s time. #
  • @trishlet I had been wondering what all of the secretive hooplahs have been about. :-) I was hoping all good but figured you’d talk soon #
  • @trishlet thank you! #
  • I really like snitter. Everytime someone replies to me, I get a little sound. I never miss the replies now. Yay! #
  • [daily photo] growl http://tinyurl.com/2gfp9m #
  • @AlexxxA oooohhh…I have wanted a new tattoo for ages. Good luck…and post photos when you get it! #
  • @DaveWares Yuck. I’m sorry to hear that. #
  • @DaveWares I’m glad it made you smile. I saw that comment and chuckled. :-) #
  • [new blog post] the rhetorical musketeers http://tinyurl.com/yt4mp8 #
  • @yndygo have a great trip! #

the rhetorical musketeers

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This is absolutely brilliant. Found via Digg via Julian Worker at GroundReport.

Just a story about Ethos, Logos, and Pathos, the new musketeers who right wrongs, as long as they are appealed to in the correct way.

The four horsemen were riding through the dark forest on a particular day in the recent past. They could all hear a woman’s voice in the distance and, luckily for her, the horsemen’s path took them right by where she was.

As they approached the horsemen could more clearly hear what she was saying, or rather screaming:

“HELP ME, HELP ME, SAVE ME FROM THIS TALL TOWER IN THE DARK FOREST.”

As the horsemen approached the tall tower, the woman, who was in fact a damsel in lots of distress by the name of Sharon, saw them.

“HELP ME, HELP ME PLEASE.”

The four horsemen ignored her pleas and carried on riding, riding.

“PLEASE HELP ME, I AM A DAMSEL IN DISTRESS IN A TALL TOWER IN A DARK FOREST, I HAVE BEEN KIDNAPPED BY THE EVIL DWARF SHRUBEGEOG, HELP ME.”

With this, one of the four horsemen put up his hand indicating that they should all stop. The horsemen came to a halt, turned their horses around and trotted over to the base of the tower.

“Can we help you, O damsel in distress?” said one of the men.

“YES YOU CAN, YOU CAN” began the damsel, but she was interrupted by the same man, who said “There is no need to shout, we can hear you well enough from here.”

“Sorry,” said the damsel, “my name is Sharon, I would like to be rescued, will you help me?”

“We may rescue you fair damsel, but it depends on what you say” said the man.

“WHAT?” said Sharon, “WHAT MORE CAN I SAY? WHAT MORE DO YOU NEED TO KNOW? A FAIR DAMSEL, TALL TOWER, DARK FOREST, EVIL DWARF, WHAT MORE DO YOU NEED? I NEED HELP!”

The four horsemen said nothing.

“WHAT ARE YOU DOING? RESCUE ME FROM THIS TOWER, BEFORE SHRUBEGEOG RETURNS.”

The four horsemen said nothing.

“Are you going to help me?” sobbed Sharon, “What are you doing? It is just my luck for my screams to attract four rescuers who won’t rescue me at all.”

“We are assessing the rhetorical situation,” said the man, “And we need to know what the exigence is before we can modify it.”

“Who are you? Are you the servants of the evil dwarf come to torment me?” wailed Sharon.

“We are the four Musketeers, three of whom are Rhetorical Musketeers – O damsel in distress, we want to help you, but you have to appeal to the other three in the correct way.”

“WHAT!” screamed Sharon, “Sorry, what do you mean, what is an exigence?”

“An exigence is when something is other than it should be,” said the man.

“I see,” said Sharon, and had to think for a moment or two, “So the exigence in this case is the fact that I don’t normally live in a tall tower in a dark forest, that I am not normally the prisoner of an evil dwarf and that I DON’T NORMALLY SCREAM HELP ME HELP ME!! AT THE TOP OF MY VOICE HOPING TO BE RESCUED.”

The four horsemen nodded in agreement.

“That sounds reasonable to me,” said the man, who was the only one to have spoken so far, “but now you have to appeal to these three gentleman individually, before we will all rescue you and thus modify the exigence. I will introduce them to you one at a time, but first I will tell you who I am.”

“Right, well that sounds like progress to me,” said Sharon, “but can you please hurry, I fear that Shrubegeog will be back in a minute or two and will thwart your rescue.”

“My name is D Arthur Agnan,” said the man, “and I am a Musketeer of the King. My three friends are Rhetorical Musketeers of the King, please let me introduce them to you!”

“The first Rhetorical Musketeer is the charming man on your left,” said Arthur Agnan, “his name is Pathos. In order to be rescued by him, you must appeal to his emotions and feelings.”

Pathos waved cheerily to Sharon and bowed deeply. He indicated a handkerchief he was carrying and mimed the motion of wiping tears from his eyes.

“The second Rhetorical Musketeer is the authoritative figure in the middle, his name is Ethos and to appeal to him you have to indicate your credibility to be rescued.”

Ethos tipped his hat to the damsel and from his tunic drew out a parchment signed by the King, which indicated that Ethos was a Rhetorical Musketeer of the King, First Class. He showed the parchment to Sharon, indicating the official seal on it.

“The third Rhetorical Musketeer is the intellectual looking gentleman on your right, his name is Logos and to appeal to him you must relate some statistics and figures which show that you are the right person to be rescued at this stage.”

Logos smiled at the damsel, showing eight teeth; he gave the V for Victory sign with two fingers on his right hand. His horse was precisely 17 hands high and had exactly 28,943 hairs in its tail. Logos had counted them all. Twice. Just to be sure.

Sharon was in tears and felt very confused by all the appeals she had to make. But, she reasoned, at least she had a chance to use her skills to an audience, a primary audience at that. Her motivation was to be rescued. She wouldn’t have to use the passive voice either!

“I think I understand what you are telling me,” said Sharon, “I am a bit confused by which of you needs what appeal, but I will try my best. However, I do get the distinct impression that shouting and screaming SAVE ME at the top of my voice just won’t work with you musketeers.”

The Rhetorical Musketeers said nothing. Pathos had his handkerchief poised, Ethos stroked his official Musketeer’s beard, and Logos flicked two flies from his horse’s mane.

“Dear Rhetorical Musketeers, I want you to rescue me. Pathos I appeal to you first. How would you like your daughter to be locked away in a tall tower in a dark forest, waiting for an evil dwarf to breathe horrid fumes over her all night, as she writhed, screamed, and begged to be free, to return home to her family, her loving mother, her caring, handsome father, her…”

“Enough!” blubbed Pathos, crying into his handkerchief, “I will rescue thee fair damsel, just say no more.”

“One down, two to go,” said Sharon, gaining some encouragement from Pathos’ sobbing. “Ethos, it is to you I appeal next. My father is an adviser to the Archbishop, and is a confidante of the King of our country. My mother is a magistrate, my brother is in the Army, and my sister is married to a judge, who..”.

“Enough,” said Ethos, impressed with the family connections of the damsel, “I too will rescue thee.”

“One more to go,” smiled Sharon, “Logos I appeal to thee. Of the 36 damsels in the village, the dwarf chose to kidnap me because I was 18 years old, because I weighed 121 pounds and because I am 5 feet 7 inches tall. My IQ is 134, I have three sisters, and I have recently passed exam 234.5B to enter the Civil Service as…”

“What we waiting for?” said Logos, overwhelmed by the facts and figures of the damsel, “let’s free this fair damsel before it is too late.”

With that the musketeers broke down the door of the tower and rescued the damsel in distress. Sharon was so thankful, but the Rhetorical Musketeers had to leave. As they departed, Pathos waved his still slightly-damp handkerchief at her, Ethos gave her an official Musketeer’s salute and Logos smiled a broad smile, with 14 teeth showing this time. “Take care fair damsel,” said D Arthur Agnan, “Look after yourself and your family.”

Sharon waved as the four horsemen trotted off into the dark forest, towards a house where three bears lived, whose porridge had recently been eaten by another young damsel. But that, as they say, is another story waiting to be told.

tweet tweet for 2007-11-07

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  • [daily photo] sacred wall http://tinyurl.com/22verd #
  • [Education] Blackboard Is Losing Customers, but What Does It Mean? http://tinyurl.com/244e5s #
  • @Raoul Yeah…we use Bb Vista. It’s not my favorite CMS but it’s also not the worst. I think the future will be interesting. #

tweet tweet for 2007-11-06

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  • WOOHOO! My thesis was accepted to go to committee (big sigh of relief). #

the rhetoric of rhetoric

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I have a pet peeve about the use of the word “rhetoric.” The consensus in modern day usage is to use it as a derogatory term. For instance, “the politician spewed his rhetoric to convince us to think his way.” What does that mean? He shared his form of persuasive language to influence us.

We all do that. Each and every day, each of us engages in rhetoric. Got a kid? Want him or her to clean his or her room? How do you convince your child to clean a room? You use rhetoric.

Do you have clients who need a little convincing that what you are offering is really the best product/work/idea that they can get anywhere? You use rhetoric.

Want to convince your IT person that you’re really not insane and Word really did just reformat itself to mess up your entire thesis (my little rant against Microsoft Word — which thinks it knows how to format my paper better than I do — although I didn’t go to an IT person for assistance)? You use rhetoric.

Rhetoric is, simply, the act of persuading. We post images and hope that someone feels something about them. That’s visual rhetoric. I post a rant about crazy water usage by Phoenicians (who really do need those lush lawns in the middle of a DESERT!). That’s linguistic rhetoric.

It goes further but basically, that’s it. We all use it.

I was a little irritated when I was searching for videos about rhetoric and found this. I thought, oh, yeah…another video about politicians and their rhetoric. Except that it isn’t. This is a very good film on the use of words, typography, and images to produce an argument.

Rhetoric.

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